The camera does NOT make a difference. Many moments I get requested if I ought to acquire Nikon, Canon, this design or that design... what you really should be asking is what type of lenses you require for the kind of photography you want to acquire. Yes, I'm talking here about DSLR cameras (a lot more about level and shoot beneath). Expend less money in the human body that has the capabilities you are seeking for, and expend the rest of your funds in very good lenses. A incredibly great high-priced camera with inexpensive lenses will deliver lower quality photos revert the purchase and you have a fantastic blend.When it comes to brand it seriously doesn't issue both. Most photographers get a single brand about the other because they have some lenses presently or they like the hues of the advertising. The actuality is that all cameras these days can supply great images if used with higher top quality lenses... so decide your brand and go obtain a body that can get you good simple control about shutter velocity, f-stops, ISO, white harmony and has a good photometer (which is not as vital underwater as it is over the h2o). When it arrives down to sensor size then you have to choose among Entire Format (FX - sensor measurement equals to 35mm) or crop format (DX - which is one.5x on a Nikon and one.6x on a Canon). FX is a lot a lot more costly that DX and to me it does not make sense to shell out the further cash... I relatively expend the difference in good lenses.Really don't get caught in the Mega-pixel promoting campaign! A lot more mega-pixels never mean much better pics. Much better lenses suggests much better images again: shell out your income in very good quality lenses and forget about the mega-pixel and camera functions scheme. Some of my favorites Nikon D3100, 5100, D7000 or Canon Rebel T3, T3i or 60D. Never discard older cameras that are awesome like the Nikon D40 with a flash sync speed 1/500 which you can get on eBay low-cost these days (very same goes for older Canon).Of course I'm new in underwater photography, but I researched a lot of lenses before purchasing a process. I definitely adore my Tokina 10-17mm fish-eye which is viewed as a great DX lens that has amazing sharpness. Every single underwater method should have this lens for large angle and of study course if you would like macro a 60mm two.8. If you have some some spare dollars go for a 105mm as very well, but absolutely have these two lenses in your underwater camera box. I'm also a enjoyment of large angle photography on land and I truly believe that that if you will need zoom lenses is mainly because you are not close plenty of to your subject matter, but that is just a issue of preference.Now how about position and shoot cameras? Most point and shoot camera have no interchangeable lenses. If you have to settle for a point and shoot camera, get a camera that allows you to manage shutter velocity, aperture (f-stops), ISO and custom made white harmony manually. If you have the finances go for 1 that enables you to modify lenses, but If I have to invest $one thousand for a point and shoot, I would relatively buy a DSLR and 1 good lens which is doable in that funds. Some of my favorite point and shoot cameras are the Canon S95 and Canon G12 now preserve an eye on your spending budget as a Nikon D40 entire body can be purchased for $250 on eBay and a Tokina ten-17 fish-eye for about $600 which will get you quite close to the high stop level and shoot cameras and you would have a killer setup.If I would have to obtain a camera for underwater use, I would choose DSLR. Brand name and Functions does not matter. I would devote the dollars on lenses. If my funds is finding to substantial following such as housing and strobes, then I would purchase a stage and shoot that has full Handbook mode. I buy my tools from Sink or Swim scuba here in Nanaimo they can seriously give you a great deal in numerous underwater housi ng, strobes and arms systems out there.Right here are some packages for you that I like (modify the housing for your brand and/or lens)Stage and Shoot camera - Canon S95 (single strobe)Ikelite Housing - Part #6242.95 DS51 Substrobe - Portion #3944.49 Single Tray with Release - Part #9523.61 Stage and Shoot Sophisticated - Canon G12 (dual strobes)Ikelite Housing - Component #6146.12 DS51 Substrobe X2 - Aspect #3944.49 Dual Tray with Launch - Element #9523.62 DSLR - Nikon D3100 with Tokina 10-17 fisheye lense (twin strobes)Ikelite Housing #6801.31 Ikelite 8 Inch Port Dome - Element# 5510.45 Ikelite Superwide Mounting Entire body - Component# 5510.11 Ikelite SubStrobe DS-161 Strobe w/ Single Sync Cord & Ball-Joint Arm - Part# 3945.01 Ikelite SubStrobe DS-161 Strobe w/ Twin Sync Cord & Ball-Joint Arm - Portion# 3945.02If you want to browse much more about underwater photography and my knowledge in this waters and how to transition from land to liquid underneath our ailments, ple ase visit
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